Winter Show 2027:
The Hobbit
Auditions: September 2026 at NCT Studio • Middletown
Performances: January 2027 at Casino Theatre • Newport
Registration Fee: $350

Enter the magical world of JR Tolkien!
Directed by NCT Alum, Tatyana Frost, our winter production will take place at the Casino Theatre on January 9 & 10th.
Performances TBA
Ticket Prices:
Adult Online $15
Child 10 + under online $10
Preferred Seating: $30
Tickets at the Door: $20
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Show Information
Production Team

Tatyana Frost
Director
Megan Buchanan
Set Designer
Plot
Bilbo Baggins is a quiet hobbit who loves comfort, food, and a predictable routine. Everything changes when the wizard Gandalf arrives with a band of dwarves led by Thorin Oakenshield. They invite Bilbo on a dangerous journey to help reclaim the dwarves’ homeland and treasure from the dragon Smaug.
As the company travels through wild lands, they face trolls, goblins, and giant spiders. Bilbo surprises everyone (including himself) by using courage and cleverness instead of strength. Deep underground, he finds a mysterious ring and outwits the creature Gollum, gaining a tool that will change his life.
When the group finally reaches the Lonely Mountain, Bilbo must navigate rising tensions: the dwarves’ desire for their treasure, the fear of Smaug, and the arrival of other peoples who also have claims and needs. The story builds toward a major conflict (often staged as the Battle of the Five Armies) and ends with Bilbo returning home—older, wiser, and forever changed by adventure.
Cast of Characters
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Bilbo Baggins — The hero. A homebody who discovers he’s braver and smarter than he ever imagined.
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Gandalf — A wise wizard who sets the adventure in motion and guides the group (though he’s not always present).
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Thorin Oakenshield — Proud leader of the dwarves. Determined to reclaim his people’s home; his stubbornness can cause trouble.
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The Dwarves (ensemble) — Thorin’s company. In many stage versions, a few are featured more strongly:
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Balin — steady, kind, and respected
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Kíli & Fíli — younger, energetic, and loyal
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Bombur — often used for comedy and warmth
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Smaug — The dragon guarding the treasure. Intelligent, terrifying, and vain.
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Gollum — A strange creature who plays a riddle game with Bilbo; both scary and oddly tragic.
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Elrond — An elf leader who offers help and wisdom.
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The Wood-elves / Thranduil — Elves who may be portrayed as suspicious of dwarves, but not purely “bad.”
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Bard — A brave human leader/archer who stands up for his people.
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Goblin King / Goblins — Underground enemies; often staged with masks, movement, and comedy/menace.
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Spiders / Wargs / Eagles — Creature roles usually played by an ensemble using puppetry or choreography.
Production History
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Original book: The Hobbit was written by J.R.R. Tolkien and first published in 1937.
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A classic for adaptation: Because it’s episodic (one adventure after another), it’s been adapted many times for stage in both children’s theatre and full-length adult productions.
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Not one single “official” play: There are multiple licensed stage scripts by different publishers and playwrights. Schools often use shorter, simplified versions; community/regional theatres often use fuller adaptations with more complex staging.
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Modern staging trends: Recent productions frequently use ensemble doubling, stylized movement, puppetry, and minimalist sets to create dragons, spiders, and battles safely and imaginatively.
Trivia
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It started as a children’s book: Tolkien originally wrote The Hobbit with a younger audience in mind, which is why it adapts so well for kids.
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The ring matters later: The ring Bilbo finds becomes central to The Lord of the Rings—many audiences love spotting the “beginning of the bigger story.”
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Riddles are a highlight: The Bilbo–Gollum riddle scene is one of the most famous dialogue sequences in fantasy literature and is often a centerpiece in stage versions.
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Smaug is a dream role: Dragons are hard to stage, so productions get creative—Smaug might be a puppet, a mask, a shadow, a voice, or an ensemble-created creature.
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Themes that land for all ages: Courage, friendship, greed vs. generosity, and the idea that “small” people can do big things.
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Flexible casting: Many stage versions can be cast with any gender and a wide range of ages, especially for dwarves, elves, and creature ensembles.